"Survivor": Rob was old school — Russell threw out the old school playbook
As Rich Heldenfels notes, "Usefulness to a tribe is meaningless to Russell; he has made clear that he will personally sabotage tribe-mates and hurt the group overall for his own amusement, let alone his advancement. So after completely outfoxing Rob a week ago (thanks to Tyson's gullibility, which Russell sensed and exploited), he was able to out-play him this week."
Welcome back, Colby! // Jeff Probst on Boston Rob: An appreciation
Russell's supremacy will make "Survivor" unwatchable
Boston Rob: "The new-school players don’t value 'Survivor' at its core"
"There is a complete different mentality between the old school and new school players," says Rob Mariano, who didn't watch Russell's season until he got back from "Heroes vs. Villains." He adds: "Maybe the game has evolved, but it doesn’t seem to be about the adventure anymore and cohabitating at the beach and building this island life. It’s more about, get to the alliance."
"V" is more mediocre cop melodrama than sci-fi show
And that's why "V" is bleeding viewers, according to Allie Townsend. "The show's plot seems flighty and skirts too many genres for comfort," she writes. "It's part LOST, part Law & Order and part Grey's Anatomy all rolled up into one, but instead of marrying the three, it seems too focused on long, drawn out scenes of mother-son issues instead of advancing the plot."
Gina Torres, Chad Lowe and Greg Germann get pilots
They'll star, respectively in "Huge," "Pretty Little Liars" and "Strange Brew."
Chelsea Handler is dirty in a more interesting way than Sarah Silverman
So says Troy Patterson, who thinks part of the E! star's appeal is that she claims to be 35, but looks 40 years old. "Where Silverman, pushing pop shock, remains an aloof performance artist, Handler reads as a woman instinctually confiding veritas of the in vino variety," notes Patterson.
Why did Jerry Bruckheimer waste his time with "Miami Medical"?
The CBS drama, premiering tonight, is yet another doctor show. Why, asks Tim Goodman, doesn't Bruckheimer do a show on garbage men or repo men? He writes: "Here's the truly galling part that can't be so easily dismissed: Why a medical drama? Why choose mediocrity and safety? This might not be such a day-ruiner for you, but for a critic it makes the grease in our brain pan boil up the bubbles."
"Miami" is a botched experimental cross-breeding of "House," "Grey's," "MASH"
Bruckheimer Permanente should've sewn up a better show
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