Report: Members of Congress are shunning Stephen Colbert
Democrat and Republican lawmakers in Washington are being told not to go on "The Colbert Report" in the wake of Colbert's appeance last week on Capital Hill.
MTV loses its mastermind
Tony DiSanto, the president of programming responsible for everything from "The Hills" to "Jersey Shore" to "Teen Mom," is leaving the network after two decades to join ex-NBC entertainment boss Ben Silverman's new venture.
Bryan Cranston & Kanye West make "SNL" promos together
Also featuring Jason Sudeikis.
TCM sets 24-hour Tony Curtis marathon
Curtis' "Private Screenings" interview as well as his legendary movies like Sweet Smell of Success" will be screened on Oct. 10.
Comic-Con staying in San Diego for 5 more years
Anaheim and Los Angeles tired to woo the 40-year-old fan convention, but Comic-Con is staying put with some new perks.
Salahis threaten to sue their "Real Housewives" castmates
Don't dare call them "White House party crashers"!
Damon Lindelof creates, cancels his sitcom in a matter of minutes
Read about his idea for "OH NO YOU DIN'T!!!," as proposed on his Twitter feed.
CW's prison-like reality show will lock 2 contestants in one room
In "The Frame," they'll compete in challenges with another team of two in another room, as they're all filmed 24/7.
Chevy thrilled with Mr. Schuester's "Glee" Corvette product placement
The automaker has been onboard with the Fox show since it began.
Drew Carey sued for $375,000
The lawsuit stems from a World Cup trip to South Africa.
Documentary filmmaker RJ Cutler gets "Connected" to Fox sitcom
The "American High" creator is entering the scripted world, partnering with an "American Dad" producer on a family comedy.
Aimed at adults, "The Flintstones" debuted 50 years ago today with Hanna Barbera's development of "limited animation," which reduced costs while allowing the cartoon makers to focus on character and dialogue. "This was pretty risky, to put on a prime-time animated series not aimed for children," says USC TV historian Jon Burlingame. "ABC was the risk-taking network at the time because they were routinely buried in the bottom of the ratings. And Hanna-Barbera hit a home run. It was clever, original and very funny."
The former NFL coach lost 18 pounds, discovered that he was closer to the women than the more than likely jealous men, and learned to his surprise that Marty was trying to pull a power move. "It was a surprise," he says. "Even watching the episode last night, that was a surprise to me. I didn’t know that was taking place, because Marty and I had plenty of conversations and I didn’t know that he was in an alliance with Dan."
When big-time movie roles began to dry up in the early '70s, the legendary actor, who has died at 85, flopped twice in two attempts to conquer the small screen. In 1971, Curtis starred in 
The first episode isn't distinctive enough, says Randee Dawn, who says "hard not to watch 'LO:LA' without yearning for the very things that made this franchise so distinctive: intelligent stories, raw camerawork and a feeling of verisimilitude that slashed through the ho-hum murder-of-the-week shows. Two decades on, for this franchise to stand out, it still should be doing some slashing and burning — and a lot less spewing of lines like: 'Mom shoots a burglar, daughter holds a press conference. I love L.A.' The last thing this series wants to do is blend in — and thus far, it's no standout."
David Letterman told Jon Stewart last night the feud originated when he happened to be dining with his then-girlfriend at a restaurant on vacation. When he noticed Oprah and Stedman at a different table, he decided to stick her with their check and walk out. But 
"This is the first time I’ve ever talked about it, ever," Cuoco 
Morris joined "Glee" as a dancer hired to teach Chris Colfer and the other "Gleeks" how to dance to Beyonce's "Single Ladies." Morris had no idea she'd become a star on the show, let alone sing with her childhood idol Britney. "I just sat there and stared at her," Morris says of filming with Spears. "Like, 'Wow, I'm just hanging out with Britney Spears as Brittany the character. We're doing a scene. I'm singing her songs. It was weird."
Greg Berlanti's drama mashes up "The Incredibles," "The Fantastic Four" and "My So-Called Life" — and that, in effect, is its problem. As Robert Bianco notes, "NOF" feels too crowded trying to serve many genre masters. "It's an as-yet clumsy hybrid that wants us to follow its battle of good vs. evil while worrying about the parents' estrangement, the daughter's boyfriend problems and son's self-esteem issues," he writes.
