It's a girl for "Grey's" star Jessica Capshaw
Daughter Eva Augusta was welcomed into the world on Oct. 20.
Report: Charlie Sheen has another cocaine/hooker rampage in L.A.
According to Radar Online, since returning om, "Sheen has been partying in LA using massive amounts of cocaine while getting together with several hookers."
Ian Ziering is going to be a dad for the 1st time
The 46-year-old "Beverly Hills, 90210" alum and his wife are already halfway through the pregnancy.
"Ginny Sac" from "The Sopranos" is dead at 46
Denise Borino-Quinn, who won an open casting call to play the wife of John "Johnny Sack" Sacramoni died Wednesday after a long battle with liver cancer.
Watch Fox's "The Chicago Code" promo
The new cop show from "The Shield" creator Shawn Ryan.
Zach Galifianakis smokes a joint on HBO
The "Real Time with Bill Maher" stunt coincided with California's pro-marijuana Proposition 19.
Courteney Cox: We're not getting divorced
The "Cougar Town" star says her and David Arquette's separation doesn't mean their marriage is over.
Jon Stewart and Stephen Colbert, says James Poniewozik, "put together a very American show on the National Mall today with the Rally to Restore Sanity and/or Fear, in front of a crowd of [insert estimate that flatters your worldview here] people. It was a mishmash, and sometimes felt too long. (The first hour or so, with a Roots / John Legend jam leading into the Mythbusters[?!], seemed like stalling for time.) It was sometimes flat, awkwardly paced and tentative in making its arguments. But in the end, as Jon Stewart closed the rally out with a funny but sincere speech, it was also passionate, pointed and—I say this without air quotes—honestly moving.
There's absolutely nothing alluring about the AMC drama's zombies, says Matthew Gilbert. "As supernatural metaphor, they’re the lowest of the low — duller, even, than trolls," he says. But even with the zombies, "The Walking Dead"," he says, "is a promising human story built over a sea of grunting corpses. It’s a scare-fest at points — who’s turning that doorknob?! — and it’s definitely extremely bloody, as zombie guts splatter all over the place like chunky borscht. The 90-minute premiere is a gory Halloween horror event, for sure. But the show, as it begins to unfold more fully next week, takes full advantage of serial TV’s ability to intimately explore interpersonal character dramas."
The "TV Chief's" visit to Comedy Central didn't compromise his stature, says Robert Bianco. "There are still viewers who don't like seeing presidents move past traditional news outlets to newer TV incarnations," he says. "But those kind of limits made more sense when traditional outlets were all we had and monopolized us all. We live in an age of scattered audiences and targeted programs — and the young viewers Obama spoke to on The Daily Show are hard to reach otherwise."
Like last week's controversy over the GQ photoshoot, last night's episode addressed the "discomfort of representing sexuality among an age group that is, nonetheless, sexual, and the complications that ensue when adults enter the picture," says James Poniwozik. But the "Rocky Horror" episode was, in the end, a disappointment, as Poniewozik explains: "When you have an episode of 'Glee' in which Sue Sylvester ends up being the voice of reason, you've either got a work of genius or a failure, and 'Rocky Horror Glee' was the latter. I'm not sure it was a good thing that I was cheering her on by the time she was nitpicking the pacing and logic of the production."
Tonight's 5th season premiere just isn't as good as last year's, which is a disappointment considering its the final season, says Alan Sepinwall. "I’ve seen the first three episodes – nearly a quarter of the final season – and while parts of each are quite strong, each as a whole feels like one of those solid middle-of-the-year chapters that are necessary to keep the story moving but don’t elicit the goosebumps for which this show is justly celebrated," he writes.
The Fox series, says Matthew Gilbert, "has given up on any semblance of subtlety and storytelling art. At this point, the show is a collection of Big Learning Scenes, written to give the songs some vague narrative sense." He adds that "the creators have turned their show from a sweet, twisted teen melodrama honoring the power of music into a slick soapbox-jukebox with one eye on TV ratings and the other on record sales." PLUS: Will tonight's "Glee" boost interest in 
