Patrick Dempsey's rep: His "Grey's Anatomy" future is unclear
Responding to an Italian Vogue interview in which Dempsey says next season is "gonna be my last," his rep says: "He was referring to the fact that his contract is up at the end of next season and we have no idea what the future holds."
"Idol" Top 2 land on Top 10 iTunes bestsellers list
Scotty McCreeery placed No. 3 and Lauren Alaina nabbed No. 8, two spots ahead of Jennifer Lopez.
Nude photos of Blake Lively are fake, her rep says
Alleged naked iPhone photos of the "Gossip Girl" star hit the web today, but her rep denies they are real. "Blake has never taken nude photos of herself," says the rep.
Mark-Paul Gosselaar is officially single on the eve of his TNT show debut
The "Franklin & Bash" star's divorce was finalized today.
U.S. Attorney Gen. Eric Holder demands a "The Wire" movie, or another season
"I want another season, or a movie," said Holder at a justice department drug panel that featured several of "The Wire's" stars.
"In Plain Sight" star arrested for child neglect
Police early this morning took Nichole Hiltz's young child into custody after receiving a call about a disturbance.
"V's" Morena Baccarin joins Showtime's "Homeland"
After getting canceled, Baccarin will play Damian Lewis' wife on the Showtime thriller.
"Breaking Bad": What to expect in Season 4
"Walt will find himself less enchanted with the world of meth production than he currently does," says creator Vince Gilligan.
Eliza Dushku is bound for "White Collar"
She'll guest on the new season's 9th episode.
Kevin Connolly will direct "Entourage's" penultimate episode
This will mark his 2nd time directing the HBO comedy.
"Once Upon a Time" adds Jane Espenson and "Life Unexpected" creator
Sci-fi fave Espenson will join Liz Tigelaar on the writing staff of the ABC fairy tale drama.
Syfy renews "Ghost Hunters"
The paranormal series will return for an 8th season.
The Peacock, though, hasn't decided whether to launch the 2nd season after the Super Bowl, or at an earlier date. "There is no better showcase on television than to follow the Super Bowl, and we believe 'The Voice' is deserving of such high-profile exposure," says NBC entertainment boss Bob Greenblatt.
The problem with Bravo's songwriting reality show, says Ken Tucker, is it seems like a lot of the creativity was done beforehand. "I find it impossible to believe that every contestant doesn't arrive with a head-full of hooks that he or she simply attaches, with little or no variation, to some new lyrics suitable to the assigned theme," he says. "As a result of this belief, I don’t find Platinum Hit at all suspenseful." PLUS: The 
Season 10, says Richard Rushfield, is the year "'Idol's glass ceiling was cemented in place. It's hard to say exactly how many clinical trials one would need to prove the theorem that good looking white males are the only category with any chance of win, but four lab tests seems ample. For the show's first six years, its winners were as diverse a pool of gender and genres as one could have imagined; veering from Kelly Clarkson to Ruben Studdard, Fantasia to Carrie, Taylor and Jordin Sparks. And then, four white male champions, without interruption. At this point it seems safe to say, barring a force of nature appearing on the Idol stage, no one outside of this demographic need apply for the crown." PLUS: Why 
Fox never wanted Cheryl Cole, but Simon and his 
Alan Ball says: "We did a scene in 3-D this season just to take a look at it. HBO asked us to do one. It was pretty cool. I don't think it's going to air. We just did it as an experiment, because I don’t know if they’re going to want to take the show 3-D at some point, maybe like a season premiere or a season finale or something. "
"'Modern Family's' second season has been a mixed bag," says James Poniewozik, "but in retrospect its faults have not been that it's not funny, wellwritten or well-acted, but simply that it hasn't always challenged itself. Seeing the number of flashbacks and references to previous episodes, though–handled especially deftly through Luke's video editing–it's a reminder that this has remained a damn entertaining show that has built on its characters over the year, and given many members of a big cast room to shine." PLUS: Let Jay be 
The "Glee" star talks about her new memoir, Sue Sylvester and hosting the Emmys. "I did the opening number of the Emmys last year, and I was in awe of how Jimmy Fallon conducted himself throughout the show," she says. "He had so much fun and I’m going to use him as an example."
"She is America's high priestess," says Sally Quinn. "Standing for the entire show, in a simple pink dress and hair soft around her shoulders, she spoke openly and unashamedly of God … Oprah Winfrey has discovered one of the most effective ways of imparting her beliefs to others. Not by telling them what to do, but by getting them to decide what to do for themselves. She is the master of 'free will,' an often controversial subject in contemporary religion."
"If you've ever wondered what an 'Idol' episode would be like with all the filler removed, last night gave the answer: quick and boring," says Mallika Rao. "That last wasn't helped by Scotty or Lauren, who are about as spontaneous as a Chuck E Cheese animatronic band. Imagine if Naima or James had ransacked their ways through instead. Surely something would have happened – a stealth Namibian dance attack, random object lit on fire. Instead we got six songs, neither bad nor wondrous. Just sort of there."
"'New York,' the second season finale of Glee, is the second consecutive season finale that feels dropped in from another, better series that's plugging along in an alternate universe," says Todd VanDerWerff. "It probably has much lower ratings, but it also probably has scads more critical support and Emmy wins up the wazoo. I like this series quite a bit, and I’m always glad when we get to drop in on it, even as I've made my peace with the fact that the series we do have is never going to be the other series full time."
"There's a reason this woman is still such a powerful influencer," says Mary Elizabeth Williams, "one who can leave the cattle industry quaking and whose departure is sending the publishing industry into a getting-drunk-at-lunch level spiral of despair. There's a reason her voice still stands out, even in a media world that's been exponentially diluted by cable and Internet. It's because unlike the Jerrys and the Maurys she began with — and unlike the reality show divas and intervention-needing hoarders who came after — Oprah traffics in just one commodity: happiness."
